Producer and engineer Collin “Bulby” York has been making music sound better for years.
His list of credits reads like a who’s who of pop music: No Doubt, Rihanna, Britney Spears,
Madonna. It’s reggae and dancehall that the Kingston, Jamaica native is best known for, though.
As one of Jamaica’s most in-demand studio men, he has put his touch on signature records by
Sean Paul, Bounty Killer and Beenie Man, to name a few. After decades of making magic happen
behind the scenes, Bulby stepped out with his debut project, Epic & Ting. Released
on Greensleeves Records April 22, 2016, the album combines his skills as a sonic architect par
excellence with his ear for talent, resulting in an LP of truly epic proportions.
Bulby got his introduction to music making as a youth, when he started following his uncle,
Firehouse Crew drummer George “Dusty” Miller, to the Waterhouse, Kingston studio of
dubmaster King Tubby. Young Bulby was soon learning the ropes of recording from the Godfather
of dub music, and one of the most influential audio engineers of all-time. “I didn't realize he was
such a legend, I just knew he was way ahead of his time,” Bulby says of Tubby. “He was building
a top-of-the-line studio with a drum booth in the ceiling — I was there helping soldering and
After graduating from Kingston’s Dunoon Technical High, he got a summer job at Jamaica’s then
brand-new Mixing Lab Studio. His first session was with Junior Reid, the legendary singer of Black
Uhuru and “One Blood” fame. “He was producing a rapper from London who was on the label he
was signed to,” Bulby recalls of Reid. “We recorded a whole album and, from that session, my
name started getting around and I started getting more producers requesting me.”
In 1992, he began producing his own records when his uncle Dusty formed C&G Music, working
with dancehall artists like Daddy Screw. In 1993, Bulby launched his own label, Fat Eyes, with
Lynford “Fatta” Marshall. Fat Eyes struck instant musical gold with Bulby’s Hot Wax riddim, an
inventive dancehall production which spawned Bounty Killer’s “Suspense" and Beenie Man’s
"Memories.” Its influence can still be felt, as “Memories” was recently sampled by Kanye West
for “I’m In It,” a standout track from 2013’s critically-acclaimed Yeezus album. Other key Fat Eyes
releases produced by Bulby include “Want You Back” by Singing Melody, and Capleton’s “Pure
Meanwhile, Bulby continued to mix records for other top Jamaican producers like Winston Riley
and Steely and Clevie, as well as Sly and Robbie, who tapped him to engineer their original reggae
productions as well as remixes for international artists like Chaka Khan, Cyndi Lauper and Sinead
O’Connor. As dancehall sounds went mainstream in the early 2000s, Bulby was right in the mix,
engineering tracks for No Doubt’s double-platinum Rocksteady album, as well as Sean Paul’s era defining
dancehall classic, Dutty Rock. As his reputation grew internationally, he also began to
travel as a live engineer, which he continues to do to this day with the likes of Michael Franti and
Spearhead, among others.
After years of bringing other people’s projects to life, Bulby now has a masterpiece he can call his
own in Epic & Ting. The album features a mixture of reggae staples (Sizzla, Maxi Priest) and upand-
coming talents (Lennox, Ch’an) from across the Caribbean. "The concept is me being the
artiste/producer who makes the beats and gets the best songs with talented artistes from the
Caribbean,” he told the Jamaica Observer. “It is similar to a David Guetta or a Calvin Harris
Fans of reggae music will be treated to some truly epic collaborations. “Anything Goes” teams
dancehall warlord Bounty Killer with the King of Jamaican Lovers Rock, Beres Hammond. On
“Whom Shall I Fear,” he pairs dancehall boss (and Kanye and Kendrick collaborator) Assassin with
some lost vocals from Tenor Saw, the late icon known for “Ring the Alarm.” And “Soul Almighty”
makes the unexpected connection between up-and-coming conscious crooner Jesse Royal and
Lee “Scratch” Perry.
“This album has a lot of different vibes on it,” Bulby explains. “I want people to put this album on
and get the urge to go to work or school with a positive attitude. It can be played while you're
working out in the gym, or just driving to the grocery store. I think it’s the perfect vibes builder.”
Master Blaster, the follow-up album to Bulby's 2016 Epic & Ting, leads off with the album's first
single, a modern take on Tenor Saw's classic "Lots of Signs" featuring superstars Christopher
Martin and Beenie Man, as well as a signature Fuzzy Jones sample. "Dance With Me" delves into
Afrobeat territory, as Nigerian singer (and Spearhead drummer) Manas Itiene trades vocals with
actress/singer/songwriter Cherine Anderson. "Freedom," the most recently released single,
features the living legend Beres Hammond pleading for mankind's most basic human right on
the song's chorus. He is joined by I-Three's alumnus Marcia Griffiths, Polynesian reggae star J
Boog, and the ever-formidable Lutan Fyah. "Hands Up!" is a militaristic hip hop-flavored account
of the war in the streets between police and the people, as told by hip hop/reggae/soul fusion
group CornaStonaz. The dancehall blazer "Katch-A-Fire" features singer Anthony Red Rose and
deejay Lexxus going verse for verse. "Can't Dweet Like We" finds worl' boss Vybz Kartel slicing
and dicing the riddim with his trademark lyrical daggers, while D.C-based Ethiopian rapper LoLa
Monroe serves up some heat of her own. Rounding out the song is singer-songwriter Candy
Gloster, who lends her vocals for the catchy chorus. The album's only previously released
record, "Cherry Oh Baby," features Busy Signal and Patrice Roberts delivering a lively version of
Eric Donaldson's celebrated tune that has been covered by the likes of the Rolling Stones and
UB40. Bulby recruited Chevaughn to voice "Music and Weed," an addictive sing-along that the
producer picked up from the C2W (Caribbean 2 World) songwriting camp in Jamaica. "Never
Bow" is a triumphant Nyabinghi chant that features the late great Joseph "Culture" Hill and
Leego backed by Grammy-nominated band Raging Fyah to add some musical texture. Next up is
"Shoot the Moon," another dancehall track that features the girl x boy combo of Bajan singer
Ch'an and dancehall stalwart Mad Cobra. Closing out the album is the unexpected "Kundalini"
which features a dramatic piano-driven music bed to a spoken word poem being recited by
inspirational speaker Danielle LaPorte.
"With this album, we are selling vibe, not just music," explains Bulby. "I wanted something
spiritual to highlight the album, so I linked Danielle for a poem. She is my friend and also one of
Oprah Winfrey's Super Soul 100 Leaders," a group that in Oprah's words "is uniquely connecting
the world together with a spiritual energy that matters."
The prolific engineer and producer, who is best known for producing pillars of reggae music like
Beenie Man's "Stop Live in a de Pass" and Yami Bolo's "Weapon of Destruction," is currently
manning the FOH boards on tour with Michael Franti & Spearhead.
Bulby York’s recent release is the highly anticipated album ‘Heartcrafted’ which features Jimmy Cliff,
Beres Hammond, Sanchez, Maxi Priest, Beenie Man, Bounty Killer, Busy Signal, Charly Blacks,
Rygin King , Stylo G, Etana, Tifa and others.